Habitus, Ngêng, dan Estetika Bunyi Mlèsèt dan Nggandhul pada Karawitan
Abstract
The paper explains about mlèsèt and nggandhul phenomena in the Javanese Karawitan in the perspective of Piere Bourdieu’s sociology of arts. The datas were collected through interviews with pengrawit,or gamelan players, and observation of gamelan played during the performance of Yogyakarta wayang.
The research shows that mlèsèt and nggandhul aresound aesthetics for the listeners and habitus of the gamelan players. Therefore, a gamelan player should possess his ngêng in order to precisely play the correct rhythm of mlèsèt and nggandhul.
Keywords
DOI: http://dx.doi.org/10.17510/paradigma.v1i2.11
Full Text:
PDFReferences
Becker, Judith. Deep Listeners: Music, Emotion, and Trancing.Bloomington: IndianaUniversity Press. 2004.
Binawan, Al. E. “Habitus Nyampah: Sebuah Refleksi” dalam majalah Basis, Vol 56 No. 05/07 Mei. 2007.
Bourdieu, Piere. Distinction. London: Routledge. 1994.
_______________. The Field of Cultural Production.USA: Columbia University Press. 1993.
_______________. The Logic of Practice.USA: StanfordUniversity Press. 1990.
Florida, Nancy K. “Reading the Unread in Traditional Javanese Literature” in Indonesia no. 44. 1987.
Geertz, Clifford. Tafsir Kebudayaan. Yogyakarta: Kanisius. 1992.
Gitosaprodjo, Sulaiman. Ricikan Gamelan. Malang: RRI. 1971.
Jenkins, Richard. Pierre Bourdieu. London: Routledge. 1992.
Jong, S. De. Salah satu Sikap Hidup Orang Jawa. Yogyakarta: Kanisius. 1976.
Lansing, J. S. “In the World of the Sea Urchin: The Application of Husserlian Phenomenology to Cultural Symbols” dalam A. L Becker dan Aram A. Yengoyan (eds), The Imagination of Reality. New Jersey. 1979.
Lentz, Donald. Gamelan Music of Java and Bali. Lincoln: University of Nebraska Press. 1965.
Mrazek, Jan. “Xylophone in Thailand and Java: A Comparative Phenomenology of Musical Instrument” in Asian Music (Summer/Fall), 103. 2008.
Narawati, Tati. Wajah Tari Sunda dari Masa ke Masa. Bandung: P4ST UPI. 2003.
Nercessian, Andy. Postmodernism and Globalization in Ethnomusicology.USA: Scarecrow Press, Inc. 2002.
Poerwadarminta, WJS. Baoesastra Djawa. Batavia: JB Wolters. 1939.
Rijasudibyaprana. “Sejarah Gamelan Jogjakarta.” Panjangmas,VI, no. 3, 4. 1958.
Siswanto. Pengetahuan Karawitan Daerah Yogyakarta. Jakarta: Depdikbud. 1983.
Soedarsono, R.M. Wayang Wong: Drama Tari Ritual Kenegaraan di Keraton Yogyakarta. Yogyakarta: Gadjah Mada University Press. 1990.
Supanggah, Rahayu. Bothekan Karawitan II: Garap. Surakarta: ISI Press. 2008.
Suryobrongto, B.P.H. Tari Klasik Gaya Yogyakarta. Yogyakarta: Musium Kraton Yogyakarta. 1974.
Weiss, Sarah. “Embodiment and aesthetics in Javanese performance.” Asian Music, Spring/Summer, 29-45. 2003.
Wibowo, Fred. Tari Yogyakarta.Yogyakarta: Galang. 2002.
Refbacks
- There are currently no refbacks.
|